I'd also love for those guitar chord diagrams that you can get on the score editor to be viewable from a chord track. I really don't know, hence why it would be a welcome bonus. But on my DAW of choice (LPX), perhaps i would make use of it. I regularly use Studio One and Cubase on other machines, and i'm yet to feel the need to use their implementation. Improvements to flex pitch - to me, it's not of the quality to be fully useable in the way that Melodyne is, and as i only have the lower version of Melodyne i kinda wish Logic was stronger in that area.Īs a bonus i'd love to see how they (Apple/Logic team) would implement a chord track/music theory for song composition. Some people think it's snake oil, but i really like it. I'd also love to see some kind of analog style crosstalk across the mixer channels built in to Logic itself to help glue a mix together, I really love that feature in Studio One. OR Make MIDI FX available to the environment so you can place it inline. The Midi Freeze plugin works well, but it's not the same. so if you're using an arp it records the arp as midi notes so you can adjust them by hand if you wish. All Inputs can be split from the stagebox so a sound guy can do whatever he wants independently and not worry about our monitors.īeing able to select specific 'INPUT' Midi Devices and Channels per track would mean so much to me, such a basic requirement too!Īlso MIDI FX which sits before the sequencer would be most welcome. We can connect to FoH either via a stereo sum or with stems. Since the setup is literally identical wherever we play, the In-Ear sound is always ready. Here's the quick&dirty In-Ear and FoH-Mixer, (finer control is possible with Logic's actual mixer, this requires an extra soundman with an iPad)Īll 24 Ins and 16 Outs come from a portable stack of MOTU interfaces. Here's the same but with the SPD and the eDrum in focus Here's the front end for a band with the SPD doing all electric drum duties: Create visible clicks which flash on screenĪll screens are optimized to make best use of the screen of the MBP to easily see at a glance what's going on during a performance. Create audible clicks routed to the in-ears Trigger page flipping of a more elaborate list of cheat sheets in Skim to visualize song structures for work outside the bands, like in a musical. For practicing at home and for other work outside the bands, map an optional Drumit3 eDrum module's 23 channels to those 12VIs and save/recall these settings in another Map, also recallable by either foot switch or trigger bar. Save the mentioned Maps and Snapshots into a visible Set List, triggered either via pad or footswitch Recall those Snapshots either per song (via pad) or punctually to get a long trailing delay on just one word or even syllable (via footswitch) Save up to 64 Snapshots of all Sends and their targets' reverb and delay settings It's about 1500 sounds in immediate reach. Map a Roland SPD MIDI pad with 9 pads, snare trigger, kick trigger and two foot switches to any one of 12 VIs which contain either self created samples ranging from the proverbial cowbell over flown-in bvox samples to a full fletched backing track, or conventional drum modules like Addictive Drums or special collections of thai gongs or what-have-you. Mix 24 live tracks to FoH and five independent Monitor and/or In-Ear systems So we decided to take care of that ourselves. Since we're mainly playing small venues, it's unrealistic to expect local "soundguys" to put significantly more effort into it than opening the door and supplying electrical power. It's my main acoustic- and e-drum rig, running on a MacbookPro. Actually it's 19 Layers of Environment crammed into one just to show off, as Erik requested.
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